A highly illustrated examination of portraiture in China across media and millennia. Facing China is an exploration of the portrait arts in China from the dynastic to the modern and contemporary, in painting, sculpture, photography, and video. The book focuses on truth and memory in the portraiture process, from encounters between subject, portrait, and artist, to broader fami...(展开全部)

A highly illustrated examination of portraiture in China across media and millennia. Facing China is an exploration of the portrait arts in China from the dynastic to the modern and contemporary, in painting, sculpture, photography, and video. The book focuses on truth and memory in the portraiture process, from encounters between subject, portrait, and artist, to broader fami...(展开全部)

One of the world’s most eminent scholars of East Asia reveals the important touchstones in the long history between China and Japan and argues that for the sake of world stability they must forge a new relationship for the twenty-first century. China and Japan have cultural and political connections that stretch back fifteen hundred years. But today their relationship is strain...(展开全部)

One of the world’s most eminent scholars of East Asia reveals the important touchstones in the long history between China and Japan and argues that for the sake of world stability they must forge a new relationship for the twenty-first century. China and Japan have cultural and political connections that stretch back fifteen hundred years. But today their relationship is strain...(展开全部)

In early imperial China, the dead were remembered by stereotyping them, by relating them to the existing public memory and not by vaunting what made each person individually distinct and extraordinary in his or her lifetime. Their posthumous names were chosen from a limited predetermined pool; their descriptors were derived from set phrases in the classical tradition; and their...(展开全部)

Ancestral ritual in early China was an orchestrated dance between what was present (the offerings and the living) and what was absent (the ancestors). The interconnections among the tangible elements of the sacrifice were overt and almost mechanical, but extending those connections to the invisible guests required a medium that was itself invisible. Thus in early China, ancestr...(展开全部)

In early imperial China, the dead were remembered by stereotyping them, by relating them to the existing public memory and not by vaunting what made each person individually distinct and extraordinary in his or her lifetime. Their posthumous names were chosen from a limited predetermined pool; their descriptors were derived from set phrases in the classical tradition; and their...(展开全部)

In this book, Li Min proposes a new paradigm for the foundation and emergence of the classical tradition in early China, from the late Neolithic through the Zhou period. Using a wide range of historical and archaeological data, he explains the development of ritual authority and particular concepts of kingship over time in relation to social memory. His volume weaves together t...(展开全部)

Memory is not an inert container but a dynamic process. It can be structured by ritual, constrained by textual genre, and shaped by communities’ expectations and reception. Urging a particular view of the past on readers is a complex rhetorical act. The collective reception of portrayals of the past often carries weighty implications for the present and future. The essays colle...(展开全部)

Memory is not an inert container but a dynamic process. It can be structured by ritual, constrained by textual genre, and shaped by communities’ expectations and reception. Urging a particular view of the past on readers is a complex rhetorical act. The collective reception of portrayals of the past often carries weighty implications for the present and future. The essays colle...(展开全部)